A plan to capture the Red Angel brings back the crazy
I’ll say this: Discovery is almost never boring. Even when it’s batshit-crazy bonkers, it’s pretty exciting.
Consider “The Red Angel,” which is equal parts respectable and loony, measured and overwrought, exposition-filled and visceral, and either benefits or suffers from numerous WTF moments — I’m not sure which. It advances the season arc by answering questions that raise more questions. It has substantial character work, but nearly all of it surrounds a single character. Guess which one. This is entertaining, but I can’t call it good. It’s a sci-fi potboiler.