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‘Lower Decks’ season finale: The origin story that got away
"Old Friends, New Planets" seems to be an episode ripe for some sort of major character payoff, specifically around Mariner and/or Locarno. This seems especially true at the beginning of the episode when it smartly flashes back to 13 years earlier, where we see Locarno convincing his Nova Squadron team to take on the Kolvoord Starburst maneuver that would ultimately get their friend Josh killed in the accident at the center of TNG‘s classic "The First Duty." We see Mariner on the periphery of this group ("practically a junior member," Locarno notes), and we witness her hero worship of Sito Jaxa. Robert Duncan McNeill, Wil Wheaton, and Shannon Fill (the last of whom hasn’t acted since 1995) all return to voice the cadets from that episode. The opportunity for character backstory seems endlessly promising.
Mariner faces her demons in ‘The Inner Fight’
"The Inner Fight" might be the most plot-heavy episode of the season. It’s more adventure than comedy, and that ends up working in its favor, because it feels like more meat than fluff. It also has a character core that’s intriguing, although not outstanding. And it ends in a cliffhanger, setting up next week’s season finale with the most unlikely of villains. The result is an entertaining, albeit very busy, episode that separates into a reliable A/B story structure that comes together at the end.
In the A-plot, Mariner, Boimler, Tendi, and T’Lyn are dispatched by Freeman via shuttle to Sherbal V, which is supposed to be a safe and routine mission. Safe and routine is exactly what Mariner needs right now, because she has recently been acting out and putting herself in extreme danger (picking fights, risking her life playing the hero) for some unrevealed personal psychological reason. (Mariner’s behavior reminds me of Torres’ behavior in "Extreme Risk," which this episode strangely doesn’t reference directly.)
‘Lower Decks’: That time I went spelunking…
I think maybe the modest goal of Lower Decks should be to use the Star Trek universe to tell fun, lightweight, comedic stories where the tone of the episode lands on something more pleasant than annoying. "Caves" does just that by employing two standbys: (1) The flashback episode told as a series of mini-stories, and (2) the Star Trek cave setting that was obviously filmed on the reusable cave set on the soundstage at the Paramount lot.
In the case of Lower Decks, where the animators could give us any setting they wanted, using a cave is a deliberate and knowing wink, as is the complete lack of surprise on Mariner’s face when the team becomes trapped by a cave-in — with a deadly growing mass of bioluminescent moss consuming the available space and threatening the four. The cave joke is something Trek fans will smile knowingly about, but that joke alone would not carry the day if this episode didn’t also win us over by ultimately telling a nice little story about these four people and their enduring friendship.
‘Ahsoka’ continues the trend of more rather than better ‘Star Wars’
Ahsoka represents a lot of what’s currently wrong with the Star Wars franchise while maintaining just enough fleeting interest and general competence to keep me from throwing it away altogether. This is not awful, but it sure ain’t good.
Clocking in at eight episodes for a "season of television" — whatever that may mean these days — it starts off turgid and devoid of urgency and then gradually builds steam before ending on a major note of "to be continued" frustration. We’ve reached the point where a "season of television" is not even envisioned as an "eight-hour movie" but an "eight-hour half-a-movie."
Badgey, Badgey, Badgey, Badgey, mushroom, mushroom
"A Few Badgeys More" is a pretty well-balanced episode of Lower Decks‘ different sensibilities. It manages to advance a main plot that has an adequate amount of tension while also giving us the (tempered) madcap zaniness that is incumbent upon a cartoon outing. It does this by bringing back Badgey, one of the most notable recurring villains on the series, and weaving him into a plot that deals with the Evil AIs while also advancing the Serial Mystery Box of the season — kicked off here by an attack on the Bynars.
The result is good without being great — whatever "great" might actually mean on this series. There aren’t a ton of surprises here, but there is some reasonable plot advancement as well as an evolution in the crazy character of Badgey, who, we learn, was rescued by salvagers hoping to make a buck off Federation technology, but got a lot more than they bargained for when Badgey instead took over their ship.
Cartoon Ferengi: The right medium for the message
Lower Decks is such a strange hit-or-miss affair that I should know better than to sing its praises (like I was working toward after the season’s first two promising episodes) or give up on it completely (which I was halfway considering after last week’s endurance test), because now here comes the Ferengi Episode, which somehow manages to be the best episode of the season so far, and in the upper ranks of this series, and one of the best Ferengi comedy episodes ever (granted, it’s a low bar). Finally, the Ferengi have found a vehicle where they make sense — in a cartoon.
Let’s get this party unstarted
Three drunk and lascivious Betazoid diplomats (all women over 50, naturally) are being transported by the Cerritos to Risa. Their telepathic/empathic projections cause the entire crew to "get their party on," resulting in drunken excess and rowdiness that occurs in the background of a lot of shots in Ten Forward, or whatever the bar on this ship is called. Eventually, the partying reaches a fever pitch that Freeman finds unacceptable. When she tries to shut it down, the Betazoids revolt, turning the episode into a classic Ship Takeover Plot. The lunacy is set against the character backdrop of T’Lyn — unhappy aboard the Cerritos — trying to send a message to her former captain, hoping to return to the Vulcan ship she was banished from.
My sister’s big, fat, green wedding
"Something Borrowed, Something Green" opens with an Orion support ship being destroyed by the powerful Mystery Vessel that attacked the Klingons and Romulans in the season’s first two episodes. It’s a scene that’s exactly as the other two were — completely divorced from the rest of the episode and advancing this supposedly "serial" plot in no real way because it provides no additional information, but merely more of what we already know. If this is supposed to be some sort of poker-faced parody/commentary on bad serialization, then mission accomplished, but that doesn’t seem like the intent.
This scrap of plot does, I suppose, ever so loosely tie into the main plot, as it provides Freeman with slightly more reason to insist Tendi return home for her sister D’Erika’s wedding, which she’s reluctant to do because she wants to keep her Orion past buried rather than in full view of her friends. ("D’Erika" — I love how we’re now just adding consonants and apostrophes to the beginnings of regular names to make them "alien.")
Tackling climate change, ‘Lower Decks’ style
The Cerritos assists a Federation colony on Corazonia, a massive artificial ring structure that was built by an ancient alien civilization millions of years ago and now functions much like Yorktown Station in Star Trek Beyond. Vexilon, the AI climate-control computer (which Freeman notes has "no interest in world domination"), is on the fritz and in need of a software update, which is millions of years past due. But when Freemen attempts to make the updates, the computer crashes, causing widespread climate-based havoc. (First, clouds turn into ice and fall like boulders from the sky, then come the prehistoric volcanoes.)
‘Lower Decks’: Season 4 starts with a twofer
Star Trek: Lower Decks kicks off its fourth season with a two-episode premiere.
“Twovix,” the better of the two episodes, is an entertaining romp that shows what Lower Decks has become as it starts its fourth season — which is essentially the same show it was in its first season, but more refined, balanced, restrained, and effective at doing what it does. In setting this episode aboard a museum-ified Voyager, the writers allow themselves to plunder the archive for as many Voyager references they can fit in.
“I Have No Bones Yet I Must Flee” is not quite as good as “Twovix” but is close enough, and there’s something to be said for this show’s unwavering focus on the devotion this core group of friends has to one another. I’m finding that when this show can strike the right balance between its sincerity and its lunacy, it works out.